#5: The Place Beyond the Pines
Director: Derek Cianfrance
The Place Beyond the Pines is a sweeping crime drama told from both sides of the law across two generations. Pretty boy Gosling plays a stunt motorcyclist who turns to bank robbery so that he can provide for his son. Bradley Cooper plays the “heroic” cop who rises through the ranks whilst struggling with his own demons and proves that he too is an actor we can take seriously. So far the story probably sounds pretty familiar but to elaborate any further would “spoil” your experience.
The Place Beyond the Pines takes you on a thrilling emotional journey and is arguably the sexiest looking film of the year. If you enjoy crime dramas like The Town (2010), The Departed (2006), and/or Heat (1995) then you should most defs check this shit – even if you don’t find Ryan Gosling attractive.
#4: You’re Next
Director: Adam Wingard
The horror of the year is a comic one, much like last year’s Cabin in the Woods but not as experimental or ambitious. You’re Next sees a wealthy family reuniting at some vacation house. The festivities are spoiled when a bunch of strangers disguised in animal masks crash the party with crossbows and the intent to kill! This is one of those movies you clap and cheer in. You know those films that keep surprising you WHILST giving you exactly what you’re expecting? You’re Next is a ballsy, gruesome horror with a sharp sense of humour and a massive adrenaline shot.
And to chuck a massive cherry on top of an already decadent cake, our very own Sharni Vinson kicks absolute fuckin’ arse in this movie! Seeing a female Aussie steal the limelight in an awesome American film really gets me going…
#3: Star Trek – Into Darkness
Director: J.J. Abrams
Man that J.J. Abrams knows how to make a blockbuster! Star Trek: Into Darkness may have a shitty title and isn’t quite as amazing as its predecessor, Star Trek (2009), but when sequels are this good my faith in the Hollywood system is momentarily restored.
If you didn’t like the previous film don’t bother with this one. PS. What’s wrong with you?
Otherwise, how can anyone resist such a loveable ensemble cast, exciting story, mouth watering special effects, and emotionally manipulative music? I’ll tell you how. If you’re a massive cynic with a heart of stone. Shame on you!
#2: Upstream Color
Director: Shane Carruth
Some folks are enchanted by this film, others are confused by it, but many are both! Upstream Color may be the most challenging and unique film of the year and it really is a thing of beauty.
So, what is this…thing? Upstream Color can be described as a sci-fi drama about two people who start to mirror each other’s behaviour after being infected by a strange parasite. To be honest, any attempt to describe the plot does it a disservice.
This film doesn’t have a complex plot like director Shane Carruth’s previous effort, Primer, which was an extremely technical and mind-bending story about time travel. What makes Upstream Color so disorientating, and fascinating, is the peculiar way in which the film is directed and the story is told. There aren’t any characters who conveniently deliver us all the exposition we need to fully grasp the story, the camera often focuses on strange or unrelated subjects during dialogue driven scenes, and there’s lots of extreme close ups of shit growing. I’ve probably put a lot of people to sleep already! Upstream Color obviously isn’t for everyone but if you open your mind and stop worrying about plot you just might discover a new experience in cinema.
#1: The World’s End
Director: Edgar Wright
The team that brought us Shaun of the Dead and Hot Fuzz finish off their Cornetto Trilogy with a bang. 20 years ago a group of teenagers attempted an epic 12 pub crawl but didn’t manage to make it to the end. In the present day these friends reunite to try again but this time their attempt coincides with an alien invasion!
The World’s End may not be the best of the trilogy but it’s certainly the most ambitious. A lot of fans may be put off by how different The World’s End is from its predecessors but I reckon Edgar Wright and Simon Pegg made some bold decisions with this one. Their ability to mix hilarity with familiar yet moving storytelling has always been spot on and they explore darker and richer territory in The World’s End.
I’m such a fan of this team’s work that I deemed The World’s End the film of the year after my initial viewing of it. Upon second viewing, however, I was amazed, but not surprised, by the meticulousness of each shot and line of dialogue. Every scene is so thematically and comically rich it gives me nerdgasms just thinking about it.
Genre comedies, funny films with stories you can take seriously, are my most beloved type of film and Wright and Pegg have been the true masters of the genre for the last ten years. Thank God for The World’s End!
Fitting that the end of this Top 10 should be The World’s End but as much as this year hasn’t been a great film year, there are still lots of other films I liked a lot. Here are 3 such films…
Django Unchained, This is the End, and Joss Whedon’s Much Ado About Nothing